ALEXANDER JOHANNES


Drilling Into A Mountain,
vis à vis with
Robbert Pauwels

I am standing in front of an artwork by Robbert Pauwels at his solo exhibition, From Billy to the Hills, at Billytown. It depicts a series of water drops resembling some ancient architectural shape with Roman arcs above a doorway and two windows situated above. The so-formed architectural face blows wind from its mouth.

It was that moment when I asked Robbert Pauwels to do a Vis à Vis at my Home Gallery.

I felt reminded of an old idea I got when I visited the Grotta Delle Streghe (the cave of witches) in Valstrona in Northern Italy.

I was deep in the cave, which was so narrow that you had to crawl and crouch most of the time. Inside a small chamber where you could sit upright, the tour guide asked me to switch off the light.

He explained: “There is no light reaching this place.”

We are sitting in complete darkness. After a while, I noticed water dripping from various directions. And although the physical space made of marble stone was tiny, my spatial experience shifted.

The space enlarged, and before my inner eye, a vast and virtual spatial entity emerged where water drops, like columns, defined its dimensions.

Drilling Into A Mountain is an exhibition where Robbert Pauwel’s and Alexander Johannes Heil’s worlds engage in a dialogue. Just by putting them next to each other, new narratives emerge, which both works, on their own, were not able to inspire.

What is a drill? Is it masculine? Is it a phallus – a purely male object?

And what about the revolving movement of water, carving its way through a mountain – leaving behind a somewhat drill-shaped cave?

Maybe the male-associated violence of drilling into something is rather time-based. Isn’t the soft natural element of life, associated with the feminine, doing the same just over a more extended period of time?

These are the questions we are looking forward to freely associate with you in our upcoming exhibition, Drilling Into A Mountain, vis à vis with Robbert Pauwels.

Opening
Saturday 23.09.2023
from 4pm – 8pm

Exhibition
23.09.2023 – 08.10.2023

Finissage (To Be Announced STAY TUNED)

Wall Drawings: Robbert Pauwels
Installation: Alexander Johannes Heil

Documentation: Alexander Johannes Heil


Calendar

December 2025

Friday December 12

7:00 pm – 11:00 pm
Opening Reception 'shaping transition'
Frappant
Zeiseweg 9, 22765 Hamburg, Germany

19:00 Opening / Speech by Lucia Kaufmann (Gallery Kaufmann)
from 19:30 Performances by
Katherina Heil (visual artist) & Johanna Joch (speech therapist, laut.studios) & Jan-Domenic Urbas, Ksenia Sofia Miller, Linh Lê (students of the acting school Bühnenstudio)
Alexander Johannes Heil (artist, architect) & Timoteo Carbone Hansson (composer, sound artist)
Liv Pedersen (visual artist) & Dr. phil. Kristin Drechsler (voice researcher, musician)
23:00 End

Saturday December 13Saturday December 20

Opening Hours 'shaping transition'
Frappant
Zeiseweg 9, 22765 Hamburg, Germany

“shaping transition” presents artistic perspectives on transitions. Drawings, installations, objects, and sound make it possible to experience the “in-between.” A supporting program expands the exhibition with performances and discussions about thresholds and processes of transformation.

Sat, Dec 13, 2:00 p.m. – 7:00 p.m.
Sun, Dec 14, 2:00 p.m. – 7:00 p.m.
Wed, Dec 17, 4:00 p.m. – 7:00 p.m.
Thu, Dec 18, 4:00 p.m. – 7:00 p.m.
Fri, Dec 19, 4:00 p.m. – 7:00 p.m.
Sat, Dec 20, 2:00 p.m. – 7:00 p.m.

Sunday December 21

2:00 pm – 7:00 pm
Finissage 'shaping transition'
Frappant
Zeiseweg 9, 22765 Hamburg, Germany

2:00 p.m. Exhibition open
3:00–4:00 p.m. Elena Greta Falcini & Dr. Felicitas Holzer (researcher, Institute of Biomedical Ethics and History of Medicine, University of Zurich), conversation with the artists / Moderator: Jenni Schurr (SENDER)
7:00 p.m. End